Journeygirl

“It’s a case of the chicken or the egg,” The doctor commented at the look of annoyance on my husband’s face. My constant eye rubbing had exacerbated an existing condition, but the question of whether the rubbing had been the initial cause of the condition or visa versa is medically unknown and not just for me. What has this got to do with writing you ask?

I’m glad you asked that, probably not a lot, it’s just that after speaking with a friend the next day about the publication process marathon, I found myself lamenting the fact, that for me at least, it would go a lot quicker if I submitted a lot more. Here’s the chicken part- me. No, seriously the chicken part is submitting and the egg, publication. It would seem obvious that it’s the chicken comes first, but the reality is you have a greater chance of being published if you’ve already been published. While this seems crazy, it’s probably no different than any other career, you need experience to get a job, but you can’t get the experience if you don’t have a job. Or can you? 

You can it appears, in the writing world anyway. In fact, I’ve even discussed it before in an earlier post. I’m not going to repeat the need for looking into children’s magazines, websites and competitions here. I’m more interested in the effect of publication success, any publication success on the writer. Cue return of the chicken and the egg. I know I’m not alone in having an almost paralysing fear of submission. Only fellow writers will understand this, when discussing my poor submission rate with aforementioned friend she uttered the classic line, “Just do it, what’s the worst they can do- say ‘No’,” Well YES actually, that is the WORST they can do! No’s a killer. A creativity murderer, a self-esteem serial killer, no’s the worst! So with no egg to show for my efforts this chicken stops trying…for a while. Am I alone in this? I’d love to hear whether other writers feel the same. Please let me know in the comments section below this post.

The thing is, without sounding conceited I hope, I have a pretty good submission success rate for the anthologies to which I’ve submitted. I have either been published or just missed out. At Conferences editors have spoken favourably about my work and when I’ve gathered the courage to submit to publishers I have actually received more than form rejections letters. Then the doubts kick in; they were just little local anthologies, the editors and publishers were just being polite or positive, a rejection is a rejection and the biggie am I really good enough? The trouble is as you’re no doubt aware, the only way to know for sure, the only way to succeed is to submit and it’s that success which makes me want to submit. So the cycle continues and the chicken and the egg return. 
So, here’s to more eggs and being less of a chicken.

Farewell fellow travellers

Savour the quest

Journeygirl  

Hello Children’s Writers and Friends,
How time flies when you live in the 21st Century. My sincere apologies everyone, I seem to have completely misplaced a week. Don’t ask me where it went, but if you find it PLEASE return it, I could use it. Anyway, before the next one disappears I have a question. Have you ever judged a writing competition? If you belong to a writer’s group which holds in-house or even external ones if you’re game, it is really worth doing. You could also volunteer at your local library or even run one of your own, all of which I have seen done and done well. I’ve even entered each of the ones mentioned with varying degrees of success. 
Why should you offer to judge or even run your own writing competitions? Here are three reasons: You’ll see how other writers approach a topic, genre, stimulus- in other words how other writers write. You’ll have to follow or possibly even develop a judging criteria. You’ll need to write judge’s reports or some other form of feedback. I have judged two in-house competitions; one jointly, based on a workshop I presented with another writer (nothing like safety in numbers) and the latest one, last month all on my lonesome, based on a workshop presented by a guest speaker. 
See how other writers write

Judging a competition is a terrific way to read many pieces of writing on one topic or based on the same stimuli.When everyone writes about the same thing it is amazing and inspiring to see that they all do it so differently. By judging these works you can see how to do it yourself. How to do it well AND how not to do it well. Take note of turns of phrase, character development, narrative arc, how to tweak it and how to break the rules while still clearly showing that you know the rules- a real skill and something only few can pull off well.
Follow or develop a judging criteria

The two competitions I judged ended up needing their own specific criteria, although the Eastwood/Hills FAW (https://hillsfaw.wordpress.com) one of the writers groups I belong to and the one for which I judged the competitions has developed a set of criteria for many genres. Writers are awarded points out of 100 for such things as the development of engaging characters, story memorability and of course, correct use of grammar, punctuation and spelling. As I was involved in judging the two competitions on Children’s writing and Young Adult writing they didn’t quite fit the criteria. So I had the opportunity to develop a new skill of my own. I had to figure out what I was looking for in the stories before me. The first one which was clearly and directly related to the workshop I ran with my co-presenter Laura Davis, so we developed the judging criteria together based on what we had presented. The second one was much more difficult and meant that I had to think deeply about what I had read, heard and enjoyed about YA novels and writing for the YA audience. Then I had to decide which were most important in relation to the talk we had been given. I had to think about what was quantifiable and what quantities I should assign to each part of the criteria. 
Write a Judge’s Report/ Give Feedback

With a shiny new success criteria in hand, I reread and reread and reread the manuscripts making notes on the successes and areas needing improvement that each manuscript possessed. This formed the basis of my judge’s report, which took two parts. The individual comments returned with the manuscript to each entrant and the final summary of the group’s performance as a whole. What I was pleased to note, what I felt was missing (oddly enough, turned out to be humour, not my strong suit, but one which KYA audiences both love) and where the competition winners excelled i.e. what were the deciding factors? I also returned several times to the judge’s report and individual comments written with the other judge on the first competition. Thanks Laura for all your help even when you didn’t know you were giving it. Ah the beauty of writer’s groups is their reach, whether it’s workshops, critiques or judging panels, they just keep giving. Gotta love it! Anyway if you get the opportunity or can make the opportunity knock for you, I definitely recommend offering or taking up the offer to judge a writing competition. Yes, it can be daunting, everything new is, so work with a partner, but do it because it’s worth it! 

That’s all for now, let’s hope the weeks don’t get away from me next time.
Farewell Fellow Travellers,

Savour the quest

Journeygirl